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Antya 1-4

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Painting title	Radha, Krsna, and Lalita
Artists	Pariksit Dasa
Keywords	Antya Gopis Krsna Lila Radha Vrndavana Forest
Keywords 2017	Radha Krsna Lalita Full moon Moon Forest Night Three-fold bending form Tribhanga Gopis
Used in books	EN CC Antya 1 1996 Australian EN CC Antya 1 1975
Keywords status	Updated
Info status	In progress
Source catalog	Art Catalog updated

File info

Image height	6 890 px
Image width	4 580 px
Location	Art 0016
Filename	Antya 1-4
Colorspace	LAB
File size	90.30 MB

Physical painting info

Medium	oil
Substrate	canvas
Current location	ISKCON Detroit

Legal info

Copyright owner	BBTI

Picture section(s)

EN CC Antya 1 1975 EN CC Antya 1 1996 Australian

Captions

Language	Caption
English	EN CC Antya 1 1996: “O most beautiful friend,” said Lalitādevī to Śrīmatī Rādhārāṇī, “please accept the Supreme Personality of Godhead, who is standing before You full of transcendental bliss.”
English	EN CC Antya 1 1975: “O most beautiful friend, please accept the Supreme Personality of Godhead, who is standing before you full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there.”

Language

Caption

English

EN CC Antya 1 1996: “O most beautiful friend,” said Lalitādevī to Śrīmatī Rādhārāṇī, “please accept the Supreme Personality of Godhead, who is standing before You full of transcendental bliss.”

English

EN CC Antya 1 1975: “O most beautiful friend, please accept the Supreme Personality of Godhead, who is standing before you full of transcendental bliss. The borders of His eyes roam from side to side, and His eyebrows move slowly like bumblebees on His lotuslike face. Standing with His right foot placed below the knee of His left leg, the middle of His body curved in three places, and His neck gracefully tilted to the side, He takes His flute to His pursed lips and moves His fingers upon it here and there.”